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Author Topic: ENTER AT YOUR OWN PERIL  (Read 290 times)

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Yuzihax

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Re: ENTER AT YOUR OWN PERIL
« Reply #30 on: July 12, 2020, 09:14:35 pm »
According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.” SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s. JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam. ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say we don’t need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin. ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up. ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot. There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop. Cameras flash, as all the bees throw up their hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON: The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make. ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about. They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what. ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face. GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am. ADAM (whispering louder) You are not! BUZZ We’re going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me. MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.” CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex. ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go. ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone. CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK. LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar. JOCK Stand to the side kid, it’s got a bit of a kick. The jock fires the gun, and recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24. They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes. SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25. BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen. The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!! Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello. LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes. BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement? VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? * KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by, Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me... BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway. VANESSA Can I, uh, get you something? BARRY Like what? VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs. Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes? BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches. The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He’s instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite. BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about. MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you. DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s leg. She SWATS it violently. Barry’s head whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go. JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine. VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why? (gesturing around the market) You don’t have enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling, and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife. BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck. He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck driver through the glass) Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington, I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place? ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61. Our queen was moved here, we had no choice. BARRY (looking at a picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this? Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM - LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66. BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc. Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee. VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting. VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you’re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE - CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of th

lapras

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Re: ENTER AT YOUR OWN PERIL
« Reply #31 on: July 12, 2020, 09:15:18 pm »
are girls real?

lapras

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Re: ENTER AT YOUR OWN PERIL
« Reply #32 on: July 12, 2020, 09:15:49 pm »
is she real please tell me

lapras

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Re: ENTER AT YOUR OWN PERIL
« Reply #33 on: July 12, 2020, 09:16:32 pm »
female? femoid? foid? all the same

lapras

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Re: ENTER AT YOUR OWN PERIL
« Reply #34 on: July 12, 2020, 09:17:36 pm »
what about her is she real she has to be real

Tezca

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Re: ENTER AT YOUR OWN PERIL
« Reply #35 on: July 12, 2020, 09:18:37 pm »
I got one question then about our profiles on here then....

https://www.youtube.com/watch?v=rHBD1J3Oo0s

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Re: ENTER AT YOUR OWN PERIL
« Reply #36 on: July 12, 2020, 09:18:56 pm »

CasualPokePlayer

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Re: ENTER AT YOUR OWN PERIL
« Reply #37 on: July 12, 2020, 09:19:51 pm »
 {Open, black screen}

 {Start nature sound effects}

 {Cue Castle screen}

 {Fade to black}

 {Cue lion roar in the background, calling the animals to gather
 to Pride Rock for the Ceremony.}

 [THE CIRCLE OF LIFE]

 [  MS: Male Singer
    BS: Background Singer
    FS: Female Singer (lead) ]

 {Sunrise on African grassland (lightly treed), in time with
 opening chant to The Circle of Life}

 MS: Nants ingonyama bagithi Baba     [Here comes a lion, Father]

 BS: Sithi uhm ingonyama            [Oh yes, it's a lion]

 {Various shots of animals raising their heads at the sunrise:
 rhinos, antelope, a cheetah, meerkats, storks...}

 MS: Nants ingonyama bagithi Baba     [Here comes a lion, Father]

 BS: Sithi uhhmm ingonyama            [Oh yes, it's a lion]

     Ingonyama

 MS: Siyo Nqoba                       [We're going to conquer]

 BS: Ingonyama
     Ingonyama nengw' enamabala       [A lion and a leopard come to this open place]
     {repeats 5}

     Ingonyama nengw' enamabala (Se-to-kwa!)
     Ingonyama nengw' enamabala (Asana)
     {repeats 1}

 {The Circle of Life ground forms in the BS's and holds its
 pattern for eight bars. It is a non-chordal BS part. The
 progressions are in the medium ranges of the strings.
 Various pans and camera views of African animals, all
 moving. Coinciding with the FS pickup in the eighth bar,
 we first view the giraffes, panning to a long shot of all
 the animals in their procession}

 [The Circle of life text]

 FS: From the day we arrive on the planet
     And, blinking, step into the sun
     There's more to see than can ever be seen
     More to do than can ever be done

 {Camera is panning and jumping to elephants, zebras, ants,
 birds, storks, etc... }

     There's far too much to take in here
     More to find than can ever be found
     But the sun rolling high
     Through the sapphire sky
     Keeps great and small on the endless round

 {When the "The Circle of Life" is mentioned the long-
 distance pan centers on Pride Rock where all the animals
 are gathering. Mufasa is on Pride Rock. Long camera arc to
 Mufasa and Zazu.}

     It's the Circle of Life
     And it moves us all

 {Zazu bows to Mufasa, who smiles and nods at him}

     Through despair and hope
     Through faith and love

 {Appearance of Rafiki, the mandrill. He passes between
 ranks of animals, who bow to him; he then climbs Pride Rock
 to where Mufasa is standing.}

     Till we find our place
     On the path unwinding

 {Rafiki and Mufasa embrace.}

     In the Circle
     The Circle of Life

 {Decrescendo in BS. FS drops out. Pan Flute takes simple
 lead.}

 {Mufasa leads Rafiki over to Sarabi, who is holding Simba}

 {Rafiki puts the juice and sand he collects on Simba's
 brow-- a ceremonial crown. He then picks Simba up and
 ascends to the point of Pride Rock. Mufasa and Sarabi
 follow. With a crescendo in the music and a restatement of
 the refrain, Rafiki holds Simba up for the crowd to view.}

 FS: It's The Circle of Life

 {The crowd starts howling, stamping, etc... }

     And it moves us all
     Through despair and hope
     Through faith and love

 {The clouds part and a sunbeam highlights Rafiki and Simba
 on Pride Rock.}

     Till we find our place

 {The crowd bows down, one by one.}

     On the path unwinding

 {Camera slowly zooms out to a striking panoramic view
 of the Presentation.}

     In the Circle
     The Circle of Life

 {Bass drum hit (fff) and immediate switch to black screen
 with title "The Lion King" in blood-red caps.}

 [Mouse / Challenge Scene]

 {Cue mouse sounds}

 {Visual fade into mouse in cave}

 {Mouse comes out and starts preening in the light. Begins
 sniffing. Becomes frightened. Suddenly a large lion paw
 swoops down and catches him.}

 {Cue the Scar theme (dissonant, slow, reed theme). Fade in
 slowly and up full during speech}

 {Camera switch to Scar holding the squeaking and
 struggling mouse in his paw. He talks to it while playing
 with it}

 Scar: Life's not fair, is it? You see I -- well, I... shall
     never be King. {exhale lightly} And you... shall never
     see the light of another day. {closed-mouth laughter.
     Starts to place the mouse on his extended tongue} ...
     Adieu... {quiet laugh}

 Zazu : {Interrupting} Didn't your mother ever tell you not
     to play with your food?

 Scar: {Light sigh. The mouse is under his paw.} What do you want?

 Zazu: I'm here to announce that King Mufasa is on his way. {bows}
     ...So you'd better have a good excuse for missing the
     ceremony this morning.

 {The mouse runs away from Scar}

 Scar: Oh now look, Zazu; you've made me lose my lunch.

 Zazu: Hah! You'll lose more than that when the King gets
     through with you. He's as mad as a hippo with a
     hernia.

 Scar: Oooh... I quiver with FEAR.

 {On "FEAR" Scar crouches down and is baring his teeth at
 Zazu.}

 Zazu: {Very concerned} Now Scar, don't look at me that
     way... HELP!

 {Scar quickly pounces on the bird, catching him in his mouth.}

 Mufasa: {Almost immediately and off-camera} Scar! ...

 Scar: {Mouth full} Mm-hmm?

 Mufasa: Drop him.

 Zazu: {Speaking from Scar's mouth} Impeccable timing, your
     majesty.

 {Scar spits the bird out, covered with saliva}

 Zazu: {Slimed} Eyyccch.

 Scar: {Sarcastically overjoyed} Why! If it isn't my big
     brother descending from on high to mingle with the
     commoners.

 Mufasa: Sarabi and I didn't see you at the presentation of
     Simba.

 Scar: {Faking astonishment} That was today? Oh, I feel
     simply awful.

 {He turns and start scraping his claws on the rock wall.
 Zazu cringes at the sound.}

 Scar: {Admiring his claws} ...Must have slipped my mind.

 Zazu: Yes, well, as slippery as your mind is, as the king's
     brother, you should have been first in line!

 {Scar clicks his teeth at Zazu, who has flown near his
 face. Zazu takes cover behind Mufasa's foreleg. Scar bends
 down to speak to him.}

 Scar: Well, I was first in line... until the little hairball
     was born.

 Mufasa: {Lowering his head and meeting Scar eye to eye}
     That "hairball" is my son... and your future king.

 Scar: Ohh, I shall practice my curtsy.

 {Scar turns away and starts to exit}

 Mufasa: {Warning} Don't turn your back on me, Scar.

 Scar: {Looking back} Oh, no, Mufasa. Perhaps YOU shouldn't
     turn YOUR back on me.

 Mufasa: {Roars and literally jumps in front of Scar, baring
     his teeth for the first time} Is that a challenge?

 Scar: Temper, temper. I wouldn't dream of challenging you.

 Zazu: Pity! Why not?

 Scar: {Looking at Zazu} Well, as far as brains go, I got
     the lion's share. But, when it comes to brute strength
     {looking at Mufasa} ...I'm afraid I'm at the shallow end
     of the gene pool.

 {Exit Scar}

 Zazu: {Deep sigh} There's one in every family, sire... Two
     in mine, actually. {perches on Mufasa's shoulder} And
     they always manage to ruin special occasions.

 Mufasa: What am I going to do with him?

 Zazu: He'd make a very handsome throw rug.

 Mufasa: {Chiding} Zazu!

 Zazu: And just think! Whenever he gets dirty, you could
     take him out and BEAT him.

 {They exit, chuckling. Pan out into open savannah.}

 [Painting Scene]

 {Rise in music-- "This Land" track-- with theme stated in
 African flute, it broadens eventually with chorus and full
 orchestra. We see a rainstorm gently crossing the savannah.
 Multiplane camera approach to Rafiki's baobab tree. Camera
 switch to inside the tree. Rafiki is doing hand paintings on
 the wall. We see he is completing a lion cub.}

 Rafiki: {Mutters to himself, in which the word "Simba" can be
     heard} Hmmm... Ah heh heh heh heh heh... {completing the
     ceremonial crown in the painting} Simba.

 {Horns and brass close theme in a stately manner with a
 decrescendo. Fade to black keeping the painting of the cub
 as a crossover to the fade in of Pride Rock in early
 morning}

 [The Sunrise / Pouncing Scene]


 {Simba is seen coming out on the rock. He runs back into
 the cave and leaps over several of the lionesses, accidentally
 jumping on a few.}

 Simba: Dad! Daad! Come on, Dad, we gotta go. Wake up!

 Random Lioness: Oomph!

 Simba: Sorry! ...Oop.

 {Simba starts to wake Mufasa}

 Simba: Dad? Daad. Dad, Dad, Dad, Dad, Dad, Dad, Dad, Dad--

 Sarabi: {Over Simba's endless noise of "Dad"s, sleepily}
     Your son... is awake...

 Mufasa: {Also sleepily} Before sunrise, he's YOUR son.

 Simba: Dad? Daad! Come on, Dad! {tugs at Mufasa's ear.} Daa-- Whoa!

 {He loses his grip on Mufasa's ear, and slips and crashes into
 something off camera. He then comes running back on screen and
 butts Mufasa. Mufasa sleepily eyes his son.}

 Simba: You promised!

 Mufasa: {Seeing his son's impatience} Okay, okay. I'm up.
     I'm up.

 Simba: Yeah!

 {Mufasa yawns a well-recorded lion yawn. Mufasa and Sarabi
 follow Simba up to the top of Pride Rock. Simba rubs up
 against Sarabi; she nudges him ahead and stays behind. Departing
 shot of her, with a loving expression. The sunrise illuminates the
 top of Pride Rock impressively. Both Simba and Mufasa are on the
 point. Cue music.}

 Mufasa: Look, Simba. Everything the light touches is our
     kingdom.

 Simba: Wow.

 {The camera revolves around them, during Mufasa's speech, from a reverse
 view to a frontal shot.}

 Mufasa: A king's time as ruler rises and falls like the
     sun. One day, Simba, the sun will set on my time here,
     and will rise with you as the new king.

 Simba: And this will all be mine?

 Mufasa: Everything.

 Simba: Everything the light touches. {Simba looks all
     around. He views the rip-rap canyon to the north} What
     about that shadowy place?

 Mufasa: That's beyond our borders. You must never go there,
     Simba.

 Simba: But I thought a king can do whatever he wants.

 Mufasa: Oh, there's more to being king than... getting your
     way all the time.

 {Mufasa starts back down the rock}

 Simba: {Awed} There's more?

 Mufasa: {Chuckles} Simba...

 {Camera switch. Mufasa and Simba are out walking on the
 savannah.}

 Mufasa: Everything you see exists together, in a delicate
     balance. As king, you need to understand that balance,
     and respect all the creatures-- from the crawling ant
     to the leaping antelope.

 Simba: But, Dad, don't we eat the antelope?

 Mufasa: Yes, Simba, but let me explain. When we die, our
     bodies become the grass. And the antelope eat the
     grass. And so we are all connected in the great Circle
     of Life.

 Zazu: {Lights on a nearby rock} Good morning, sire!

 Mufasa: Good morning, Zazu.

 Zazu: Checking in... with the morning report.

 Mufasa: Fire away.

 Zazu: Well! The buzz from the bees is that the leopards
     are in a bit of a spot...

 {Zazu's speech will continue through without stop. Simba's
 and Mufasa's conversation is the focus.}

 Mufasa: {Distracted} Oh, really?

 {Simba, uninterested in Zazu, pounces at a grasshopper and
 misses}

 Zazu: {Continuing, not noticing Mufasa's lack of
     enthusiasm} ... And the baboons are going ape over
     this. Of course, the giraffes are acting like they're
     above it all...

 Mufasa: {To Simba} What are you doing, son?

 Simba: {Disappointedly looking in his empty paws} Pouncing.

 Mufasa: Let an old pro show you how it's done.

 Zazu: ...The tick birds are pecking on the elephants. I
     told the elephants to forget it, but they can't...

 Mufasa: Zazu, would you turn around?

 Zazu: Yes, sire. {Continuing immediately} The cheetahs are
     hard up, but I always say ...

 Mufasa: {Whispering} Stay low to the ground.

 Zazu: Cheetahs never prosper...

 Simba: {Whispering} Okay, stay low to the ground, right... yeah...

 Zazu: {Realizing something is amiss} What going on?

 Mufasa: A pouncing lesson.

 Zazu: Oh very good. Pouncing. {Realizing} Pouncing!?!
     Oh no, sire, you can't be serious...

 {Mufasa motions for Zazu to turn back around.}

 Zazu: Oh... this is so humiliating.

 Mufasa: {Still whispering} Try not to make a sound.

 Zazu: What are you telling him, Mufasa? {Looking around
     uneasily-- Simba and Mufasa seem to have disappeared.}
     Mufasa? Simba?

 {Simba does a full pounce leaving Zazu stunned on the
 ground}

 Mufasa: Ha ha ha ha ha. That's very good. Ha ha ha...

 {A gopher emerges under Zazu.}

 Gopher: Zazu!

 Zazu: {Exasperated} Yes?

 Gopher: {Saluting} Sir. News from the underground.

 Mufasa: {To Simba} Now, this time--

 Zazu: {Interrupting and with urgency} Sire! Hyenas! In
     the Pride Lands!

 Mufasa: {Serious now} Zazu, take Simba home.

 Simba: Oh, Dad, can't I come?

 Mufasa: {Curtly} No, son.

 {Mufasa heads off at a full gallop}

 Simba: I never get to go anywhere.

 Zazu: Oh, young master, one day you will be king; then you
     can chase those slobbering mangy stupid poachers from
     dawn until dusk.

 {They head off. Camera pulls back to wide view of
 savannah.}

 [Scar Tricks Simba Scene]

 {Camera change to Scar on his overhanging rock ledge.
 We see Scar pace once and kick an old bone off the edge.}

 {Enter Simba}

 Simba: Hey Uncle Scar! Guess what!

 Scar: I despise guessing games.

 Simba: I'm going to be king of Pride Rock.

 Scar: {Sarcastically} Oh goody.

 Simba: {Looking out over the edge of the rock} My dad just
     showed me the whole kingdom; {greedily} and I'm going
     to rule it all. Heh heh.

 Scar: Yes. Well... forgive me for not leaping for joy.
     Bad back, you know.

 {Scar flops down on his side.}

 Simba: Hey, Uncle Scar? When I'm king, what will that make
     you?

 Scar: A monkey's uncle.

 Simba: Heh heh. You're so weird.

 Scar: You have NO idea. ...So, your father showed you the
     whole kingdom, did he?

 Simba: Everything.

 Scar: He didn't show you what's beyond that rise at the
     northern border...?

 Simba: {Disappointed} Well, no... he said I can't go there.

 Scar: And he's absolutely right. It's far too dangerous.
     Only the bravest lions go there.

 Simba: Well, I'm brave! What's out th--

 Scar: {Interrupting} No, I'm sorry, Simba, I just can't
     tell you.

 Simba: Why not?

 Scar: Simba, Simba, I'm only looking out for the well-
     being of my favorite nephew.

 {Scar rubs and pats Simba's head}

 Simba: {Snorts sarcastically} Yeah, right, I'm your only nephew.

 Scar: All the more reason for me to be protective... An
     elephant graveyard is no place for a young prince...
     {faking surprise} Oops!

 Simba: {Enthusiastic} An elephant what? Whoa.

 Scar: {Faking dismay} Oh dear, I've said too much... Well, I
     suppose you'd have found sooner or later, you being SO
     clever and all... {pulling Simba near} Oh, just do me
     one favor-- promise me you'll never visit that dreadful
     place.

 Simba: {Thinks} No problem.

 Scar: There's a good lad. You run along now and have
     fun. And remember... it's our little secret.

 {Simba leaves the rock, Scar walks away with an evil smile.
 Menacing music.}

 [Bath Scene - Intro to Water Hole Scene]

 {Simba is running down the slope of the bottom part of
 Pride Rock. He runs down towards two lionesses (Sarabi
 and Sarafina). Sarafina is giving Nala a bath. Music is
 light, almost jazzy. Pan flute lead.}

 Simba: Hey, Nala.

 Nala: Hi, Simba.

 Simba: Come on. I just heard about this great place.

 Nala: {Through clenched teeth} Simba! I'm kind of in the
     middle of a bath.

 Sarabi: And it's time for yours.

 {Simba tries (too late) to escape; Sarabi bends
 down and grabs him. She proceeds to give the struggling
 cub a bath.}

 Simba: Mom! ...Mom. You're messing up my mane.

 {Sarabi smiles.}

 Simba: Okay, okay, I'm clean. Can we go now?

 Nala: So where are we going? It better not be anyplace
     dumb.

 Simba: No. It's really cool.

 Sarabi: So where is this "really cool" place?

 Simba: Oh. {thinks} Uh... around the water hole.

 Nala: The water hole? What's so great about the water
     hole?

 Simba: {Whisper} I'll SHOW you when we GET there.

 Nala: {Whisper} Oh. {Normal} Uh... Mom, can I go with
     Simba?

 Sarafina: Hmm... What do you think, Sarabi?

 Sarabi: Well...

 Nala and Simba: {through broad, forced grins} Pleeeease?

 Sarabi: It's all right with me...

 {Nala and Simba are overjoyed}
 Nala: All right!
 Simba: Yeah!

 Sarabi: ...As long as Zazu goes with you.

 {Simba and Nala stop dead in their celebration}

 Simba: No. Not Zazu.

 [Water Hole Scene]

 {Camera is at a ground angle slightly behind the cubs
 walking towards the water hole. Zazu is visible in the sky
 overhead.}

 Zazu: Step lively. The sooner we get to the water hole,
     the sooner we can leave.

 {Camera angle changes to the cubs from an immediate real
 view}

 Nala: {Whisper} So where we really going?

 Simba: {Whisper} An elephant graveyard.

 Nala: Wow!

 Simba: {Whisper} Shhh! Zazu.

 Nala: {Whisper} Right. So how are we gonna ditch the dodo?

 {Camera switch to just above Zazu. We hear the cubs
 whispering back and forth below}

 Simba: {Whispering} Oh, I know how we can--

 Zazu: {Flying down} Oh, just look at you two. Little seeds
     of romance blossoming in the savannah. Your parents
     will be thrilled... {He lands in front of them} ...what
     with your being betrothed and all.

 Simba: Be-what?

 Zazu: Betrothed. Intended. Affianced.

 Nala: Meaning...?

 Zazu: {As though holding on to his coat lapels} One day,
     you two are going to be married!

 Simba: Yuck!
 Nala: Ewww.

 Simba: I can't marry her. She's my friend.

 Nala: Yeah. It'd be too weird.

 Zazu: Well, sorry to burst your bubble, but you two turtle-
     doves have no choice. It's a tradition...

 {Simba mimics Zazu during these last words}

 Zazu: ...going back generations.

 Simba: Well, when I'm king, that'll be the first thing to go.

 Zazu: Not so long as I'm around.

 {Start fading in intro to "I Just Can't Wait to Be King"}

 Simba: Well, in that case, you're fired.

 Zazu: Hmmm... Nice try, but only the king can do that. {Pokes
     Simba's nose}

 Nala: Well, he's the future king.

 Simba: Yeah. {Thumping Zazu's chest} So you have to do
     what I tell you.

 Zazu: Not yet I don't. And with an attitude like that, I'm
     afraid you're shaping up to be a pretty pathetic king
     indeed.

 Simba: Hmph. Not the way I see it.

 {Full song, colors change to wild pop-African. Background
 abruptly becomes surreal, brightly-colored cartoon style.}

 Simba: I'm gonna be a mighty king
        So enemies beware!

 Zazu: Well, I've never seen a king of beasts

 {Plucks Simba's hair where mane would be}

       With quite so little hair

 {Simba gets a mane of leaves}

 Simba: I'm gonna be the mane event
        Like no king was before

 {Climbs a log}

        I'm brushing up on looking down
        I'm working on my ROAR

 {On "ROAR" he shouts at Zazu, startling him backwards into
 a puddle}

 Zazu: {Drying on what appears to be a hanging towel}
       Thus far, a rather uninspiring thing

 {Camera pulls back; reveals the "towel" as the ear of a red
 elephant which hits Zazu with its trunk as with a golf club,
 sending him skipping like a stone across a shallow pool of
 water; the cubs follow immediately.}

 Simba: Oh, I just can't wait to be king!

 Zazu: {Speaking} You've rather a long way to go, young master,
     if you think...

 {For this verse Zazu is making quick spoken-part replies
 to each line. Simba and Nala are on each side of Zazu; as
 he turns to talk to one, the other makes faces at him.}

 Simba: No one saying do this

 {Zazu: Now when I said that, I--}

 Nala: No one saying be there

 {Zazu: What I meant was...}

 Simba: No one saying stop that

 {Zazu: Look, what you don't realize...}

 Simba and Nala: No one saying see here

 {Zazu: Now see here!}

 Simba: Free to run around all day

 {Simba and Nala are now riding ostriches}

 {Zazu: Well, that's definitely out...}

 Simba: Free to do it all my way!

 Zazu: {Flying ahead of the cubs, looking back to speak to them
 and so not paying attention ahead}
       I think it's time that you and I
       Arranged a heart to heart

 {Flies into a rhino}

 Simba: Kings don't need advice
        From little hornbills for a start

 {Lights on a branch}

 Zazu: If this is where the monarchy is headed
       Count me out!
       Out of service, out of Africa
       I wouldn't hang about... aagh!

 {The camera pulls back to reveal Zazu has lighted on a log
 being washed towards a waterfall. It disappears over the
 edge. Zazu yells in surprise, but quickly reappears flying
 towards and through the camera.}

       This child is getting wildly out of wing

 Simba: Oh, I just can't wait to be king!

 {The cubs trot up a corridor of zebras standing at attention;
 when Zazu follows, they all turn and raise their tails; Zazu
 covers himself with a wing.}

 {Nala and Simba dance about under a moving herd of elephants
 while the African flute leads a short instrumental sequence.
 Zazu flies overhead, looking for them.  Simba ends up standing
 on a giraffe's head.}

        Everybody look left {Zazu squawks as the herd tramples him}
        Everybody look right

 {Simba hops up a ladder of giraffe heads}

        Everywhere you look I'm

 {Sliding down a giraffe's neck into theatrical pose}

        Standing in the spotlight!

 Zazu: {Speaking, but in strict time} Not yet!

 Chorus: Let every creature go for broke and sing
         Let's hear it in the herd and on the wing
         It's gonna be King Simba's finest fling

 {The Chorus of hippos, anteaters, antelopes, giraffes, etc.
 forms a pyramid with the cubs on top}

 Simba & Chorus: Oh I just can't wait to be king!
                 Oh I just can't wait to be king!
                 Oh I just can't waaaaaait ... to be king!

 {The pyramid topples leaving the rhino sitting on Zazu}

 Zazu: {Muffled} I beg your pardon, madam, but... GET OFF! ...
     Simba? Nala?

 [Elephant Graveyard - Hyena Scene]

 {Camera change to Simba and Nala making their way away
 from Zazu. They are laughing.}

 Simba: All right, it worked!

 Nala: We lost 'im.

 Simba: {Arrogantly} I... am a genius.

 Nala: Hey, Genius, it was my idea.

 Simba: Yeah, but I pulled it off.

 Nala: With me!

 Simba: Oh yeah? ...Rrarr!

 {Simba jumps at Nala; they tussle quickly. Nala ends on
 top and pins Simba with her forepaws, producing a
 resounding thump.}

 Nala: Ha. Pinned ya.

 Simba: {Annoyed} Hey, lemme up.

 {Nala turns away smiling. Simba looks at her and jumps at her
 again. They tussle, rolling down a short hill. She pins him
 again in the same position with another thump.}

 Nala: Pinned ya again.

 {A geyser makes a loud noise nearby, ejecting steam.
 The camera pulls back to a view of the surroundings that
 the cubs have just noticed. Mostly in grays, we see a dark
 craggy vale filled with skeletons of elephants. Eerie
 music.}

 Simba: This is it. We made it.

 {They look over the edge of the ledge they are on. A large
 bull elephant skull is nearby. The camera follows to survey the
 entire bleak view.}

 Simba and Nala: Whoa!

 Nala: It's really creepy.

 Simba: Yeah... Isn't it great?

 Nala: {Relishing her naughtiness} We could get in big
     trouble.

 Simba: {Enjoying it also} I know, huh.

 Nala: {Looking at the skull} I wonder if its brains are
     still in there.

 Simba: {Walking towards the skull} There's only one way to
     know. Come on. Let's go check it out.

 {Simba walks towards the mouth of the skull. Zazu flaps
 suddenly up in front of them, emitting a sharp squawk of
 "Wrong!" and giving the audience a start.}

 Zazu: The only checking out you will do will be to check
     out of here.

 Simba: Aw, man.

 Zazu: We're way beyond the boundary of the Pride Lands.

 Simba: Huh. Look. Banana Beak is scared. Heh.

 Zazu: {Poking Simba in the nose} That's Mr. Banana Beak to you,
     fuzzy. And right now we are all in very real danger.

 {Simba has moved nearer to the entrance of the skull}

 Simba: Danger? Hah! I walk on the wild side. I laugh in
     the face of danger. Ha ha ha ha!

 {Following Simba's confident laughter we hear more
 laughing from inside the skull. Simba runs back and hides
 behind Nala and Zazu. Three hyenas emerge from the skull's
 eyes and mouth.}

 Shenzi: Well, well, well, Banzai. What have we got here?

 Banzai: Hmm. I don't know, Shenzi. Uh... what do you think,
     Ed?

 Ed: {Crazy laughter}

 {They circle around the cubs and Zazu.}

 Banzai: Yeah, just what I was thinking. A trio of
     trespassers!

 Zazu: And quite by accident, let me assure you. A simple
     navigational error. Eh heh heh...

 Shenzi: Whoa, whoa, wait wait wait... I know you.
     {peering close into the camera} You're Mufasa's
     little stooge.

 Zazu: I, madam, am the king's majordomo.

 Banzai: {Looking at Simba} And that would make you...?

 Simba: The future king.

 Shenzi: Do you know what we do to kings who step out of
     their kingdom?

 Simba: Puh. You can't do anything to me.

 Zazu: Uhh... technically, they can. We are on their land.

 Simba: But Zazu, you told me they're nothing but
     slobbering mangy stupid poachers.

 Zazu: {Aside, surreptitiously, to Simba} Ix-nay on the
     oopid-stay...

 Banzai: Who you callin' "oopid-stay?!?"

 Zazu: {Harried} My, my, my. Look at the sun. {starts to
     try to hasten the cubs away} It's time to go!

 Shenzi: What's the hurry? We'd looove you to stick around
     for dinner.

 Banzai: Yeaaaah! We could have whatever's... "lion" around! {In
     the background} Get it? Lion around! {laughs}

 Shenzi: Oh wait, wait, wait. I got one, I got one. Make
     mine a "cub" sandwich. Whatcha think?

 {Peals of uncontrollable laughter. Ed jumps up and starts
 gesticulating and jabbering.}

 Shenzi: What? Ed? What is it?

 Banzai: {Looking where Ed is pointing} Hey, did we order
     this dinner to go?

 Shenzi: No. Why?

 Banzai: 'Cause there it goes!

 {Camera view to the cubs running off; they stop after a
 bit. Quick camera jump showing Zazu being caught in
 mid-flight.}

 Nala: Did we lose 'em?

 Simba: I think so. Where's Zazu?

 {Camera switch. The hyenas have Zazu near a steam vent.
 Banzai is holding the bird.}

 Banzai: The little majordomo bird hippity-hopped all the
     way to the birdie-boiler. {He walks Zazu to the vent
     and stuffs him into it, plugging it up.}

 Zazu: Oh no. Not the birdie-boiler. {It shoots him off in
     a puff of steam}

 {The hyenas start laughing hysterically}

 Simba: {Now near the hyenas} Hey! Why don't you pick on
     somebody your own size?

 Shenzi: Like... you?

 Simba: Oops.

 {The hyenas start chasing the cubs. They dart around behind
 them and poke their heads through an active methane vent.}

 Shenzi, Banzai, Ed: BOO! {laughter}

 {The hyenas chase the cubs up and over the skull and the cubs
 slip away by sliding down the spine. They shoot off the end of the
 spine and land on a hillside of bones.}

 Nala: Simba!

 {Simba turns around and is horrified to see Nala slipping back down
 the pile.}

 Nala: Aaaaiee!

 {Simba runs bravely back and claws Shenzi across the cheek, drawing
 blood and distracting her while Nala escapes. Shenzi becomes enraged;
 the Hyenas pursue the cubs quickly and corner them in a cave.}

 ************** CUT LINES *********************************
 {For a reason unknown to me, the following line was cut.
 It appeared on story boards and even in the promotional
 pamphlet for the movie [as well as on the first series of
 collector's cards -BT]. It must have been cut fairly late
 in production.}

 Shenzi: Look, boys! A king fit for a meal!

 **********************************************************

 Banzai: {Entering the cave, taunting} Here, kitty, kitty, kitty.

 {Simba tries to roar. He produces a nice medium yowl.}

 Shenzi: Oo-hoo... that was it? Hah. Do it again... come on.

 {Simba opens his mouth to roar again, but we hear a full-
 grown lion roar.}

 Shenzi, Banzai, Ed: Huh?!

 {Mufasa charges the hyenas from camera left and knocks them about
 until they are cringing under him.}

 Shenzi: Oh, please, please. Uncle. Uncle.
 Banzai: Ow. Ow. Ow.

 Mufasa: {Half roar} Silence!

 Banzai: Oh, we're gonna shut up right now.

 Shenzi: Calm down. We're really sorry.

 Mufasa: If you ever come near my son again...

 Shenzi: Oh this is... this is your son?!?

 Banzai: Oh, your son?

 Shenzi: Did you know that?

 Banzai: No... me? I-I-I didn't know it. No. Did you?

 Shenzi: No! Of course not.

 Banzai: No.

 Shenzi and Banzai: Ed?

 Ed: {Stupidly nods yes}

 {Mufasa roars}

 Banzai: Toodles!

 {With a gunshot sound they disappear. Zazu lights in front of
 Mufasa, giving him a "that'll show 'em" nod... but then withers
 under Mufasa's angry glare.}

 Simba: {Approaching his father} Dad, I...

 Mufasa: You deliberately disobeyed me.

 Simba: Dad, I'm... I'm sorry.

 Mufasa: {Stern} Let's go home.

 {They all start walking out of the Burial Grounds, the
 cubs bent down in shame.}

 Nala: {Whispering} I thought you were very brave.

 {The camera steadily pans up one of the walls of the cave.
 It stops on a horrifying image of Scar, standing on a ledge
 where he had been watching the cubs' near-demise.}

 [Disciplinary - Stars Scene]

 {Camera switch to out on the savannah. The cubs are still
 walking in a shamed manner behind Mufasa. Zazu is flying
 between.}

 Mufasa: {Still stern} Zazu?

 Zazu: {Flying forward and lighting in front of Mufasa, his
     trepidation showing} Yes, sire?

 Mufasa: {Stern} Take Nala home. I've got to teach my son a
     lesson.

 {The camera views the cubs. Simba crouches lower in the
 grass as if to hide. Zazu flies back to the cubs.}

 Zazu: Come, Nala. Simba... {puts his wings on Simba's
 shoulders, gives a heavy sigh, and then a reassuring pat}
     Good luck.

 {Zazu and Nala leave. The camera view is of Simba in the
 foreground with Mufasa facing away from the camera in the
 background.}

 Mufasa: {Calling, still very stern, not looking at Simba}
     Simba! {The word reverberates in the night air.}

 {Simba slowly turns and walks towards his father. The
 camera follows him forward. Ominous yet sad music. Simba
 steps into a depression. Looking down he sees that his
 forepaw fits inside just the palmprint of his father's
 paw. A very tense moment for Simba. It comes across to the
 audience that his father could easily do much, much more
 than discipline Simba. [It also comes across that Simba has
 some rather big shoes to fill, so to speak, and is only now
 realizing his true position. -BT] Simba is harshly reminded
 of how small and young he is compared to his father. He looks
 up and, quite courageously, continues to come forward.}

 {Mufasa thinks silently for a few moments, not looking at his
 son. Then, finally, he turns to him.}

 Mufasa: Simba, I'm very disappointed in you.

 Simba: {Very quietly and sadly} I know.

 Mufasa: {Continuing} You could have been killed. You
     deliberately disobeyed me. And what's worse, you put
     Nala in danger!

 Simba: {Bordering on crying, voice cracks} I was just
     trying to be brave like you.

 Mufasa: I'm only brave when I have to be. Simba... being
     brave doesn't mean you go looking for trouble.

 Simba: But you're not scared of anything.

 Mufasa: I was today.

 Simba: {Disbelieving} You were?

 Mufasa: Yes... {bends down close to Simba} I thought I might lose you.

 Simba: Oh. {Lightening slightly} I guess even kings get
     scared, huh?

 Mufasa: Mm-hmm.

 Simba: {Whispering conspiratorially} But you know what?

 Mufasa: {Whispering back} What?

 Simba: I think those hyenas were even scareder.

 Mufasa: {Gentle laugh} 'Cause nobody messes with your dad.
     Come here, you.

 {Mufasa has bent down. He picks Simba up and starts
 giving him a noogie.}

 Simba: Oh no, no... Aaagh! Errrggh!

 {Music rises as Simba and Mufasa tussle playfully for a
 brief while.}

 Simba: Oh, come here... {as Mufasa runs away} Hah! Gotcha!

 {They end up with Mufasa laid down and Simba
 on his head}

 Simba: Dad?

 Mufasa: Hmm?

 Simba: We're pals, right?

 Mufasa: {Gentle laugh} Right.

 Simba: And we'll always be together, right?

 Mufasa: {Sitting up, Simba now on his shoulder} Simba... Let
     me tell you something that my father told me... Look
     at the stars. The great kings of the past look down on
     us from those stars.

 Simba: {Awed} Really?

 Mufasa: Yes... So whenever you feel alone, just remember
     that those kings will always be there to guide you ...
     And so will I.

 [Be Prepared Scene]

 {Camera switch from stars to Hyena cave. As we move into the
 cave, we first hear Banzai's voice and eventually see
 Banzai and Ed together with Shenzi to the side.}

 Banzai: Man, that lousy Mufasa! I won't be able to sit for
     a week! {We notice numerous scratches on Banzai's
     rear}

 Ed: {Laughs}

 Banzai: It's not funny, Ed.

 Ed: {Tries to stop laughing, but bursts out worse}

 Banzai: Hey, shut up!

 Ed: {Can NOT stop laughing}

 {Banzai tackles Ed; they start fighting.}

 Shenzi: Will you knock it off!

 {Banzai stops. Ed continues, biting himself in the leg.}

 Banzai: Well, he started it!

 Shenzi: Look at you guys. No wonder we're dangling at the
     bottom of the food chain.

 Banzai: {With drool dangling from his mouth} Man, I hate
     dangling.

 Shenzi: Shyeah? You know, if it weren't for those lions,
     we'd be runnin' the joint.

 Banzai: Yeah. Man, I hate lions.

 Shenzi: So pushy.

 Banzai: And hairy.

 Shenzi: And stinky.

 Banzai: And man, are they...

 Shenzi and Banzai: UuuugLY! {laughter}

 Scar: {From his perch we saw in the Hyena chase} Oh,
     surely we lions are not all THAT bad.

 Banzai: Ohh. {relieved from the surprise} Oh, Scar, it's
     just you.

 Shenzi: We were afraid it was somebody important.

 Banzai: Yeah, you know, like Mufasa.

 Shenzi: Yeah.

 Scar: I see.

 Banzai: Now that's power.

 Shenzi: Tell me about it. I just hear that name and
     I shudder.

 Banzai: Mufasa.

 Shenzi: {Shivering} Ooooh. ... Do it again.

 Banzai: Mufasa.

 Shenzi: Ooooh!

 Banzai: Mufasa. Mufasa! Mufasa!

 Shenzi: {Builds up hysterical laughter} ...Oooh! It tingles me.

 Scar: I'm surrounded by idiots.

 Banzai: Not you, Scar; I mean, you're one of us. I mean,
     you're our pal.

 Scar: {Sarcastic} Charmed.

 Shenzi: Ohh, I like that. He's not king, but he's still so
     proper.

 Banzai: Yeah. Hey, hey. Did ya bring us anything to eat,
     Scar, old buddy, old pal? Huh? Did-ya-did-ya-did-ya?

 Scar: I don't think you really deserve this. {Holds out a
     zebra haunch.} I practically gift-wrapped those cubs for
     you. {Drops leg to Hyenas} And you couldn't even
     dispose of them. {Intro fade-in on Be Prepared}

 Shenzi: {Chewing with full mouth} Well, ya know. It wasn't
     exactly like they was alone, Scar.

 Banzai: Yeah. What are we supposed to do-- {swallow} kill
     Mufasa?

 Scar: Precisely.

 {The three hyenas pause from eating and look up at Scar
 questioningly.}

 {Three-top flutter to coincide with Scar's
 leaps down to the Hyenas.}

 ************** CUT LINES *********************************
 {Due to plot adjustment, the intro lines to the music
 track Be Prepared were cut. They were originally a
 monologue of Scar trying to decide on using the Hyenas or
 not. These were cut presumably to allow for the earlier
 entrapment of the cubs being credited to Scar. The monologue
 does, however, appear on the soundtrack.}

 Scar: {Spoken over what is now faded intro}
       I never thought hyenas essential.
       They're crude and unspeakably plain.
       But maybe they've a glimmer of potential
       If allied to my vision and brain.

 **********************************************************

 {Scar walks calmly through sheets of flame and gas into the
 camera over the opening bit of the song}

 Scar: {Full song}

 {Scar paces slowly around Ed, who is chewing on the remnants
 of the zebra leg}

     I know that your powers of retention
     Are as wet as a warthog's backside
     But thick as you are, pay attention

 {He angrily swats the bone away; Ed comes to abrupt attention}

     My words are a matter of pride

     It's clear from your vacant expressions
     The lights are not all on upstairs

 {Waving his paw in front of Ed's blank eyes to make his point;
 Ed's tongue lolls out}

     But we're talking kings and successions
     Even you can't be caught unawares

 {Shenzi and Banzai are laughing on a ledge behind him; on
 "you," Scar turns and leaps at them, throwing them backward
 onto a pair of geysers, which then erupt, throwing the two
 hyenas into the air.}

 {In the next verse, Scar is strutting theatrically along a
 ledge which runs around back to the floor.}

     So prepare for a chance of a lifetime
     Be prepared for sensational news
     A shining new era
     Is tiptoeing nearer

 Shenzi:
     And where do we feature?

 Scar: {Grabbing Shenzi's cheek}
     Just listen to teacher

 {Shenzi rubs her cheek, which is now bruised red}

     I know it sounds sordid
     But you'll be rewarded
     When at last I am given my dues
     And injustice deliciously squared

 {Scar leaps up beside Ed, who is again chewing on the bone,
 and here kicks him off the ledge}

     Be prepared!

 {The three hyenas land in a pile of bones and are submerged;
 they reappear, each with a different horned skull on his
 head.}

 {Spoken}

 Banzai: Yeah, Be prepared. Yeah-heh... we'll be prepared, heh.
     ...For what?

 Scar: For the death of the king.

 Banzai: Why? Is he sick?

 {Scar grabs Banzai by the throat}

 Scar: No, fool-- we're going to kill him. Simba too.

 {Dropping Banzai back onto the floor}

 Shenzi: Great idea! Who needs a king?

 Shenzi (and then Banzai): {Sing-song voices, dancing around Banzai}
     No king! No king! la--la-la--la-laa-laa!

 Scar: Idiots! There will be a king!

 Banzai: Hey, but you said, uh...

 Scar: I will be king! ...Stick with me {triumphant, toothy grin}, and
     you'll never go hungry again!

 Shenzi and Banzai: Yaay! All right! Long live the king!

 {Camera reveals hundreds of more hyenas in the shadows.}

 All Hyenas: Long live the king! Long live the king!

 {Full song again}

 {Scar's army of hyenas is goose-stepping across the floor
 of the cave, now stylized into a Nazi-esque quadrangle}

 Hyenas: {In tight, crisp phrasing and diction}
     It's great that we'll soon be connected.
     With a king who'll be all-time adored.

 Scar:
     Of course, quid pro quo, you're expected
     To take certain duties on board

 {Motions a slice across the neck}

     The future is littered with prizes
     And though I'm the main addressee
     The point that I must emphasize is

 {Leaps off his rock throne to single out one hapless hyena}

     You won't get a sniff without me!

 {That hyena slips and falls into a fiery crevice}

 {Throughout the next verse, the entire horde of hyenas joins
 in dancing boisterously, leaping along the tops of rock
 pillars, shaking animal skeletons in the light, one playing
 a rib cage/xylophone.}

     {The paranthetical parts are the hyenas' counterpoint singing}

     So prepare for the coup of the century
     (Oooh!)
     Be prepared for the murkiest scam
     (Oooh... La! La! La!) {rear ends punctuating}
     Meticulous planning
     (We'll have food!)
     Tenacity spanning
     (Lots of food)
     Decades of denial
     (We repeat)
     Is simply why I'll
     (Endless meat)
     Be king undisputed
     (Aaaaaaah...)
     Respected, saluted
     (...aaaaaaah...)
     And seen for the wonder I am
     (...aaaaaaah!)

     Yes, my teeth and ambitions are bared
     (Oo-oo-oo-oo-oo-oo-oo)
     Be prepared!

 All (Even Ed, who can be heard growling and snarling an
 approximation of the lines):
     Yes, our teeth and ambitions are bared
     Be prepared!

 {Close with a fill-in and a fade-out.  Scar and the hyenas are
 laughing evilly. Drum roll rises to a crash coinciding with the
 panoramic opening of the next scene.}

 [Stampede Scene]

 {Camera switch to a view of a large canyon.  Cloud shadows scroll slowly
 over the landscape.}

 Scar: Now you wait here. Your father has a marvelous
     surprise for you.

 {Camera switch to bottom of the gully. Scar and Simba are
 near a rock, underneath a small tree.}

 Simba: Oooh. What is it?

 Scar: If I told you, it wouldn't be a surprise, now would
     it?

 Simba: If you tell me, I'll still act surprised.

 Scar: Ho ho ho. You are such a naughty boy.

 Simba: Come on, Uncle Scar.

 Scar: No-no-no-no-no-no-no. This is just for you and your daddy.
     You know, a sort of... father-son... thing.

 {Through Simba's expression, we see that he resents Scar's dismissive
 attitude, but soon shrugs it off.}

 Scar: Well! I'd better go get him.

 Simba: I'll go with you.

 Scar: {Loud, snapping tone} No! {regaining composure} Heh heh heh.
     No. Just stay on this rock. You wouldn't want to end up in
     another mess like you did with the hyenas...

 Simba: {Shocked} You know about that?

 Scar: Simba, everybody knows about that.

 Simba: {Meek and embarrassed} Really?

 Scar: Oh, yes. Lucky Daddy was there to save you, eh? {clearly
     enjoying himself; he puts a paw on Simba's shoulder} Oh...
     and just between us, you might want to work on that little
     roar of yours. Hmm?

 {Scar starts to pull away}

 Simba: Oh... Okay...

 {Scar pats Simba roughly on the head, then moves off.}

 Simba: Hey, Uncle Scar, will I like the surprise?

 Scar: {Turning back over his shoulder} Simba, it's to DIE for.

 {The camera slowly pans up the side of the gorge away from
 Scar and Simba. After a distance of rock, we reach the
 edge and view on the plain a very large herd of
 wildebeest; the size of the herd comes across with a striking
 computer-generated parallax pan. The camera then focuses in on the
 hyenas (Shenzi, Banzai, and Ed), who are waiting off of the edge
 of the herd, hidden under a rock arch.}

 Banzai: {Stomach growls}

 Shenzi: Shut up.

 Banzai: I can't help it. I'm so hungry... {jumping up} I
     gotta have a wildebeest!

 Shenzi: Stay put.

 Banzai: Well... can't I just pick off one of the little sick ones?

 Shenzi: No! We wait for the signal from Scar.

 {Camera switch to Scar mounting a rock in view of the hyenas}

 Shenzi: There he is... {making an evil, almost humorous face}
     let's go.

 {Camera switch back to Simba}

 Simba: Little roar. Puh!

 {A lizard walks past Simba. He growls at it.}

 Simba: Rarrr!

 {The lizard has no reaction to this first attempt. Simba then
 jumps down and tries again.}

 Simba: Rrrraowr-nh!

 {For the third attempt, Simba moves closer again and inhales
 deeply.}

 Simba: RAOWR!

 {The lizard skitters off screen. Simba's roar echoes around the canyon.
 Shot of Simba lifting his ears to relish the echo. The echo is
 soon eclipsed, however, by a low rumble. Simba looks
 down and sees pebbles jumping. Cue the very sinister "To Die For"
 music. We see the herd coming over the lip of the gorge. Dramatic
 multi-layer camera pull up to Simba's terrified face. Simba takes
 off in front of the herd.}

 {Cut to the rim of the gorge, where the Hyenas are seen chasing
 the wildebeest herd, nipping at their heels to drive them over
 the edge. Camera switch to Mufasa and Zazu a short distance from
 the canyon.}

 Zazu: Oh look, sire; the herd is on the move.

 Mufasa: Odd...

 {Scar runs up, out of breath}

 Scar: Mufasa. Quick. Stampede. In the gorge. Simba's down
     there!

 Mufasa: Simba?

 {Camera switch to Simba. He is running and climbs up a
 dead tree. Zazu flies ahead of Mufasa and Scar, down into
 the canyon. He spots Simba.}

 Simba: {Clinging precariously to a tree} Zazu! Help me!!

 Zazu: Your father is on the way! Hold on!

 Simba: {Losing grip} Hurry!

 {Mufasa and Scar are on the lower ledges of the gorge.
 Zazu flies back to Mufasa and points out where Simba is.}

 Zazu: There! There! On that tree!

 Mufasa: Hold on, Simba!

 {In the gully, a wildebeest rams the tree Simba's on,
 nearly breaking it.}

 Simba: Ahhhh!

 {Mufasa runs out into the herd, joining the stampede.}

 Zazu: Oh Scar, this is awful. What will we do? What will
     we do? Hah ... I'll go back for help, that's what I'll
     do, I'll go back for he--oomph!

 {Scar backhands Zazu into a rock wall, knocking him out.
 Scar then follows Mufasa's progress from the lip of the
 gorge, his shadow cast mysteriously from the bottom of the
 gully {!}. Mufasa runs with the herd till slightly past the
 tree. He whips around the front of some wildebeest and
 runs into the herd towards Simba's tree. He gets rammed
 head-first once, throwing him to the ground. A wildebeest
 hits Simba's tree, throwing Simba into the air. Mufasa gets
 up in time to catch Simba in the air with his mouth. He
 gets hit again and accidentally throws Simba. Simba dodges
 a few oncoming wildebeest. Mufasa runs by with the herd
 and grabs Simba. He jumps up to a near rock ledge and sets
 Simba down, but is immediately struck by a wildebeest and
 carried off into the stampede.}

 Simba: DAD!

 {Simba watches in horror as he cannot find his father in
 the swirling mass of wildebeest below him. At the last
 second, Mufasa leaps out of the herd and starts to climb
 with great difficulty up the sheer rock slope. Simba
 turns and starts to climb up to the top of the gorge. Out
 of Simba's sight, Mufasa reaches a point right below a
 ledge where he can't climb due to the steepness. His claws are
 scraping and his back paws have no traction. Above him on
 the ledge is Scar.}

 Mufasa: Scar! Broth-- {slips, barely hangs on} Brother! Help me!

 {Scar looks disdainfully down, and then suddenly latches
 onto Mufasa's forepaws with claws extended. Mufasa roars,
 primarily from the sudden pain of Scar's claws, but no doubt also
 due to the sudden flash of realization. His expression slowly
 changes to one of horror as he recognizes Scar's intent.}

 Scar: {Slowly and evilly} Long live the king.

 {Scar throws his brother backwards. Mufasa free-falls,
 back first. The camera follows Mufasa down from under him,
 then from above him, showing the stampede raging below.}

 Mufasa: Aaaaaaahh!

 {Camera suddenly focuses in on Simba, who is watching his
 father hit the ground. No sound effects of the hit. No
 view of it either. Mufasa and Simba's screams mingle.}

 Simba: Nooooooo!

 {The herd passes. Everything is clouded by dust. Simba
 bounds to the canyon floor. Mufasa is nowhere to be
 seen.}

 Simba: {Cough} Dad!!

 {We hear a sound}

 Simba: {Quietly} Dad?

 {We see a stray wildebeest run past, the source of the
 sound. The wildebeest curves around a log further down the
 gully. Under the log is Mufasa, laying on his side. He is
 not moving or breathing. Simba approaches the body. Sad
 musical theme. Again we notice how small Simba really is.}

 Simba: {Hopefully} Dad? ...Dad, come on. {He rubs up
     against Mufasa's cheek. The head merely rolls back in
     place after the rub} You gotta get up. {He places both
     forepaws on his father's cheek and pushes} Dad. We gotta go
     home. {He tugs at Mufasa's ear. Again the head limply
     moves back in place. Simba runs off a bit, obviously
     very scared.} HEEEEELP! Somebody! {His voice reverberates
     hollowly off the sides of the gorge.} Anybody... help.

 {He cries. Simba turns back to the body. He nuzzles up under the
 limp paw so that his father is embracing him. Pause for effect.}

 {Where the music would resolve, we hit a minor chord as
 the image of Scar advancing appears through the dust.}

 Scar: Simba. ...What have you done?

 Simba: {Jumps back, crying} There were wildebeests and he
     tried to save me... it was an accident, I... I didn't
     mean for it to happen.

 Scar: {Embracing Simba, yet still distant} Of course, of
     course you didn't. No one... ever means {pulls Simba
     closer; Simba hides his face on Scar's foreleg} for
     these things to happen. ...But the king IS dead. {looking
     with mock regret at Simba) And if it weren't for you, he'd
     still be alive. {Simba is crushed, believing his guilt.
     Another thought "occurs" to Scar.} Oh! What will your
     mother think?

 Simba: {Sniffing} What am I gonna do?

 Scar: Run away, Simba. Run... Run away and never return.

 {Simba runs off blindly, obviously broken. Slight pause,
 for the audience to catch its emotional breath.  Music ends.
 The three hyenas appear behind Scar.}

 Scar: Kill him.

 {The hyenas take off after him; Scar stands motionless.
 Simba is chased up the entire length of the gully. He
 reaches the lip only to see a sheer drop on the other
 side. Having no choice he jumps and tumbles down into a
 patch of briars below. The hyenas pursue the entire way.
 When the are running down towards the briars, Banzai sees
 them and recoils.

 Banzai: Whoa!!

 {After skidding extensively, Banzai manages to stop just above
 the brambles.  He heaves a sigh of relief.  Then Shenzi and Ed run
 into him, propelling him into the bushes.}

 Banzai: Yeow! {Jumping back out of the bushes}

 {Shenzi and Ed are laughing}

 Shenzi: {Seeing Simba emerge from the far side of the
     briars into the desert} Hey-- There he goes! There he goes!

 Banzai: {Removing thorns} So go get 'im.

 Shenzi: There ain't no way I'm going in there. What, you
     want me to come out there looking like you? Cactus
     Butt?

 Banzai: {Spitting out thorns into Ed's laughing face; Ed
     lets out a small yelp of pain} We gotta finish the job.

 Shenzi: Well, he's as good as dead out there anyway. And
     IF he comes back, we'll kill him.

 Banzai: {Shouting} Yeah! you hear that?  If you ever come
     back, we'll kill ya!!!

 {"Kill ya" echoes off as we see Simba still running into the
 desert. The Hyenas make their way off the cliffs back to
 the Pride Lands.}

 [Address and Depaint Scene]

 {Camera change to Scar addressing the lionesses by the
 moon on Pride Rock.}

 Scar: Mufasa's death was a terrible tragedy; but to lose
     Simba, who had barely begun to live...

 {Camera pans around the lionesses. Some of them, with Zazu, are
 comforting Sarabi, who bends her head in extreme pain.  Nala is
 rubbing against her mother's paw, crying.}

 Scar: ...For me it is a deep personal loss. So it is with a
     heavy heart that I assume the throne. Yet, out of the
     ashes of this tragedy, we shall rise to greet the
     dawning of a new era... {The hyenas start emerging, casting
     eerie green shadows and laughing hollowly} ...in
     which lion and hyena come together, in a great and
     glorious future! {Scar ascends Pride Rock as the hyenas
     appear in full force.}

 {The camera pans to Rafiki who is shaking his head in the
 distance. The scene changes with Rafiki in the same position.
 He is in his tree house. After wiping away a tear, he
 reaches up and rubs his hand across the cub painting,
 smearing it. The camera changes. The painting, smeared, is
 overlaid on Simba laying out in the hot desert sun.}

 [Buzzards - Intro to Hakuna Matata Scene]

 {Buzzards are circling the cub's body. One descends, then
 all. They circle around it. With a blast of music, Timon
 riding Pumbaa appears and dives into the midst of the
 buzzards. They slap and kick the buzzards all away.}

 Timon: Yeeeeeeeeeeeeeeeeeeeeaaaahh! Get out! Get out! Get
     outta here! Whoo!

 Pumbaa: I love it! Bowling for buzzards!

 Timon: {Laughing, dusting himself off} Gets '

lapras

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Re: ENTER AT YOUR OWN PERIL
« Reply #38 on: July 12, 2020, 09:22:27 pm »
pee

Yuzihax

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Re: ENTER AT YOUR OWN PERIL
« Reply #39 on: July 12, 2020, 09:23:52 pm »
good content


lapras

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Re: ENTER AT YOUR OWN PERIL
« Reply #40 on: July 12, 2020, 09:24:44 pm »


Tezca

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Re: ENTER AT YOUR OWN PERIL
« Reply #42 on: July 12, 2020, 09:26:55 pm »
I just like to leave everybody with this simple plea before the forum gets shut down for good...

Go watch Good Omens the miniseries! It is really good! You will not regret a second moment of your life watching it!
« Last Edit: July 12, 2020, 09:29:45 pm by Tezca »

lapras

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Re: ENTER AT YOUR OWN PERIL
« Reply #43 on: July 12, 2020, 09:28:23 pm »
my image was too big :(

lapras

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Re: ENTER AT YOUR OWN PERIL
« Reply #44 on: July 12, 2020, 09:29:49 pm »
penis :-[